Browse — tag-cinema

Tag: cinema

Pages tagged with cinema.

19 pages

• André Bazin

  French film theorist (1918–1958); co-founder of Cahiers du cinéma (1951) and spiritual father of the Nouvelle Vague. For the purposes of this wiki he matters because he is the only contemporary cinema figure whom Merleau-Ponty names in the…

• Arche-Screen

  Carbone's technical neologism for the transhistorical apparatus of showing-and-concealing images on whatever surface. The arche-screen is not a Platonic form abstracted from its variants (cave wall, mirror, veil, Albertian window, cinema s…

• Dividuation

  Carbone's coinage (2016) for the condition of screen-mediated life: since "individual" etymologically means in-dividuus, "indivisible," the self that simultaneously lives in/through many screens and windows — playing many roles, maintainin…

• Fundamental Thought in Art

  Merleau-Ponty's term for the implicit ontological inquiry carried by literature, painting, and music — a genuine philosophical content that is not translated philosophy but a disclosure of new relationships to Being that official philosoph…

• Gilles Deleuze

  French philosopher (1925–1995), author of Difference and Repetition (1968), Logic of Sense (1969), and (with Félix Guattari) Anti-Oedipus (1972) and A Thousand Plateaus (1980). Although a generation younger than Merleau-Ponty and not typic…

• Henri Bergson

  French philosopher (1859-1941), Nobel laureate (1927), author of Essai sur les données immédiates de la conscience (1889), Matter and Memory (1896), Creative Evolution (1907), The Two Sources of Morality and Religion (1932), and Thought an…

• How does MP read cinema via Gestalt?

  MP's cinema writings run on a single spine: Gestalt psychology provides the perceptual concept (the "temporal Gestalt") that lets MP invert Bergson's condemnation of cinema into a validation. Cinema is not a falsification of duration but a…

• Making Visible (Sichtbarmachen)

  Paul Klee's 1920 formula from the Schöpferische Konfession (Creative Credo) — "Art does not reproduce the visible; rather, it makes visible" ("Die Kunst gibt nicht das Sichtbare wieder, sondern macht sichtbar") — transformed by Merleau-Pon…

• Maurice Merleau-Ponty

  French phenomenologist and philosopher (1908-1961). Professor at the Collège de France from 1952 until his sudden death from a heart attack on May 3, 1961 — he was reading Descartes's Dioptrique and preparing notes for his course "Cartesia…

• Mauro Carbone

  Italian philosopher (b. 1956) working primarily in French; specialist in Merleau-Ponty's aesthetics and ontology, and in the philosophical significance of cinema and digital screens. Senior Member of the Institut Universitaire de France; P…

• Philosophy-Cinema / Philosophy-Screens

  A program, not a theory. The phrase philosophy-cinema is Deleuze's: "Together we would like to be the Humpty-Dumpty of philosophy, or its Laurel and Hardy. A philosophy-cinema" (Note to the Italian Edition of The Logic of Sense, 1974). Car…

• Philosophy-Screens: From Cinema to the Digital Revolution Mauro Carbone (trans. Marta Nijhuis), 2019

  Author(s): Mauro Carbone; translated by Marta Nijhuis Year: 2019 (original French: Philosophie-écrans. Du cinéma à la révolution numérique, Vrin 2016) Publisher: SUNY Press (SUNY series in Contemporary Continental Philosophy, ed. Dennis J.…

• Precession

  In Merleau-Ponty's late philosophy, precession names the pure principle of anteriority by which being always already precedes any constituting subject. The concept emerges from Merleau-Ponty's reading of Husserl's "Ur-Arche Earth Does Not…

• Reversibility

  Merleau-Ponty's name for the structural form of the chiasm — the reciprocal turning of seeing-seen, touching-touched, speaking-listening — and what he calls "the ultimate truth" of his late ontology (closing line of V&I Ch 4, p. 155). Cruc…

• Sense and Non-Sense Maurice Merleau-Ponty, 1964

  Author(s): Maurice Merleau-Ponty Year: 1948 (French original); 1964 (English translation) Type: book (collection of essays, 13 chapters + author's Preface + Translators' Introduction)

• Sensible Ideas

  Merleau-Ponty's reversal of Plato: ideas that are inseparable from the sensible appearances in which they are given, appearing not in an "intelligible sun" but as the "lining and depth" of the visible. The canonical passage is V&I Ch 4, pp…

• The Flesh of Images: Merleau-Ponty Between Painting and Cinema Mauro Carbone (trans. Marta Nijhuis), 2015

  Author(s): Mauro Carbone (trans. Marta Nijhuis) Year: 2015 (English, SUNY Series in Contemporary Continental Philosophy); 2011 (French original, La chair des images, Vrin) Type: book (6 chapters + Introduction)

• Vivian Sobchack

  American film theorist; author of The Address of the Eye: A Phenomenology of Film Experience (1992) and Carnal Thoughts: Embodiment and Moving Image Culture (2004). Professor emerita at UCLA. On this wiki she matters as the phenomenologica…

• Voyance

  Merleau-Ponty's technical term for the double sight by which vision sees farther than it sees — not a second faculty but the structure of all vision once philosophy takes seriously that "the invisible is the outline and the depth of the vi…