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Tag: media-theory

Pages tagged with media-theory.

14 pages

• André Bazin

  French film theorist (1918–1958); co-founder of Cahiers du cinéma (1951) and spiritual father of the Nouvelle Vague. For the purposes of this wiki he matters because he is the only contemporary cinema figure whom Merleau-Ponty names in the…

• Arche-Screen

  Carbone's technical neologism for the transhistorical apparatus of showing-and-concealing images on whatever surface. The arche-screen is not a Platonic form abstracted from its variants (cave wall, mirror, veil, Albertian window, cinema s…

• Dividuation

  Carbone's coinage (2016) for the condition of screen-mediated life: since "individual" etymologically means in-dividuus, "indivisible," the self that simultaneously lives in/through many screens and windows — playing many roles, maintainin…

• Gilbert Simondon

  French philosopher (1924–1989) best known for his theory of individuation and for his rehabilitation of the philosophical significance of technical objects. On this wiki he matters primarily as the background figure behind dividuation (Car…

• How does MP read cinema via Gestalt?

  MP's cinema writings run on a single spine: Gestalt psychology provides the perceptual concept (the "temporal Gestalt") that lets MP invert Bergson's condemnation of cinema into a validation. Cinema is not a falsification of duration but a…

• Mauro Carbone

  Italian philosopher (b. 1956) working primarily in French; specialist in Merleau-Ponty's aesthetics and ontology, and in the philosophical significance of cinema and digital screens. Senior Member of the Institut Universitaire de France; P…

• Museum Without Walls

  Malraux's coinage (le musée imaginaire, 1947) for the virtual universal collection that photographic reproduction has produced. The English title of Stuart Gilbert's translation of Les Voix du silence (1953) gives the phrase its anglophone…

• Philosophy-Cinema / Philosophy-Screens

  A program, not a theory. The phrase philosophy-cinema is Deleuze's: "Together we would like to be the Humpty-Dumpty of philosophy, or its Laurel and Hardy. A philosophy-cinema" (Note to the Italian Edition of The Logic of Sense, 1974). Car…

• Philosophy-Screens: From Cinema to the Digital Revolution Mauro Carbone (trans. Marta Nijhuis), 2019

  <!-- NAMING NOTE (CR-037, 2026-05-24): This source page is named carbone-2019-philosophy-screens.md (English-translation year), but its extraction note is .extraction-carbone-2016-philosophy-screens.md (French-original year). The mismatch…

• Reversibility

  Merleau-Ponty's name for the structural form of the chiasm — the reciprocal turning of seeing-seen, touching-touched, speaking-listening — and what he calls "the ultimate truth" of his late ontology (closing line of V&I Ch 4, p. 155). Cruc…

• Sensible Ideas

  Merleau-Ponty's reversal of Plato: ideas that are inseparable from the sensible appearances in which they are given, appearing not in an "intelligible sun" but as the "lining and depth" of the visible. The concept originates in the Phenome…

• Steven Shaviro

  American philosopher and media theorist, DeRoy Professor of English at Wayne State University. Author of Without Criteria: Kant, Whitehead, Deleuze, and Aesthetics (2009); The Universe of Things: On Speculative Realism (2014); and other wo…

• The Flesh of Images: Merleau-Ponty Between Painting and Cinema Mauro Carbone (trans. Marta Nijhuis), 2015

  Author(s): Mauro Carbone (trans. Marta Nijhuis) Year: 2015 (English, SUNY Series in Contemporary Continental Philosophy); 2011 (French original, La chair des images, Vrin) Type: book (6 chapters + Introduction)

• Vivian Sobchack

  American film theorist; author of The Address of the Eye: A Phenomenology of Film Experience (1992) and Carnal Thoughts: Embodiment and Moving Image Culture (2004). Professor emerita at UCLA. On this wiki she matters as the phenomenologica…