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Tag: art

Pages tagged with art.

14 pages

• Aftermath of the Absolute

  Malraux's structural-historical thesis (Part IV title and §V theme of The Voices of Silence): with the eclipse of religion as the West's organizing absolute, art itself has been promoted to the structural position the absolute occupies. Th…

• André Malraux

  French novelist, art theorist, Resistance hero, and statesman (1901–1976). Author of Les Voix du silence (1951; English: The Voices of Silence, 1953), the three-volume Psychologie de l'Art (1947, 1949, 1950: Le Musée imaginaire / La Créati…

• Art as Revolt Against Fate

  Malraux's cardinal closing thesis in The Voices of Silence: "All art is a revolt against man's fate" (p. 671). Across all civilizations, art's deepest function is to defend man against destiny — the masterpiece "tells of a human victory ov…

• Erregender Zwiespalt zwischen Wahrheit und Kunst

  The "agitating discord" between art and truth at the heart of Nietzsche's late metaphysics. Nietzsche himself names it in 1888: "Über das Verhältnis der Kunst zur Wahrheit bin ich am frühesten ernst geworden: und noch jetzt stehe ich mit e…

• Eye and Mind Maurice Merleau-Ponty, 1961

  Author(s): Maurice Merleau-Ponty (trans. Carleton Dallery) Year: 1961 (written July–August 1960; published January 1961 in Art de France vol. I, no. 1) Type: essay

• Fundamental Thought in Art

  Merleau-Ponty's term for the implicit ontological inquiry carried by literature, painting, and music — a genuine philosophical content that is not translated philosophy but a disclosure of new relationships to Being that official philosoph…

• Großer Stil

  Nietzsche's name, in his late writings, for the highest mode of artistic creation: not classicism, not romanticism, but mastery over a chaos that is one's own. Heidegger reads großer Stil in Nietzsche I I.14-15 as the form-giving counter-s…

• Making Visible (Sichtbarmachen)

  Paul Klee's 1920 formula from the Schöpferische Konfession (Creative Credo) — "Art does not reproduce the visible; rather, it makes visible" ("Die Kunst gibt nicht das Sichtbare wieder, sondern macht sichtbar") — transformed by Merleau-Pon…

• Museum Without Walls

  Malraux's coinage (le musée imaginaire, 1947) for the virtual universal collection that photographic reproduction has produced. The English title of Stuart Gilbert's translation of Les Voix du silence (1953) gives the phrase its anglophone…

• Nietzsche I Martin Heidegger, 1961

  Author(s): Martin Heidegger Year: 1961 (lectures: 1936/37, 1937, 1939; Vorwort: May 1961) Type: Lecture course (three courses; published Neske 1961, GA 6.1 ed. Brigitte Schillbach 1996)

• Paul Gauguin

  French post-impressionist painter (1848–1903). Central subject of Carbone's Flesh of Images ch. 2 ("It Takes a Long Time to Become Wild"). Although Merleau-Ponty himself never focused philosophical attention on Gauguin, Carbone argues that…

• Sense and Non-Sense Maurice Merleau-Ponty, 1964

  Author(s): Maurice Merleau-Ponty Year: 1948 (French original); 1964 (English translation) Type: book (collection of essays, 13 chapters + author's Preface + Translators' Introduction)

• Strong Beauty

  Strong beauty is an event, not a quality — a radically unanticipable apparitional moment characterized by opacity, imprevisibility, and an intensity akin to pain. The concept, developed by Galen A. Johnson and Veronique Foti drawing on Mer…

• The Voices of Silence André Malraux, 1953

  Author(s): André Malraux (1901–1976) Year: 1953 (English) / 1951 (French Les Voix du silence) Type: book